Robert Frank 罗伯特 弗兰克 下载 网盘 txt 地址 rtf kindle docx pdf

âWar is over; the heroic French population reaffirms superiority. Love, Paris, and Flowersâ¦but London was black, white, and gray, the elegance, the style, all present in front of always changing fog. Then I met a man from Wales talking about the Miners and I had read How Green Was My Valley. This became my only try to make a âStoryâ.â Robert Frank London/Wales brings together two distinct bodies of work to reveal a new understanding of Frankâs contribution to the history of photography. Juxtaposing the world of money and the world of work in post-war England, Frank photographed London bankers, workers, and children, and Welsh coal miners and their families. These images poetically evoke relationships between the classes during a time of change in Britain. Setting a significant documentary precedent for Frankâs best known work, The Americans, London/Wales demonstrates the artistâs early interest in social commentary, the narrative potential of photographic sequencing and his innovative use of the expressionistic qualities of the medium. Featuring 90 black and white photographs, London/Wales tells a timeless story of cities, people, and institutions in transition through emotional, evocative images while revealing Frankâs struggle to forge a new form of poetic narrative photography. This reprint of the 2003 Scalo edition will not include the text booklet.

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"War is over; the heroic French population reaffirms superiority. Love, Paris, and Flowers but London was black, white, and gray, the elegance, the style, all present in front of always changing fog. Then I met a man from Wales talking about the Miners and I had read How Green Was My Valley. This became my only try to make a 'Story'." --Robert Frank This magnificent new edition of London/Wales, which features never-before-seen photographs, juxtaposes Frank's images of the elegant world of London money with the grimy working-class world of postwar Wales--bankers opposite coal miners. It brings together two distinct bodies of work, and reveals a significant documentary precedent for The Americans. In also offers an important view of Frank's development, demonstrating an early interest in social commentary, in the narrative potential of photographic sequencing, and innovative use of the expressionistic qualities of the medium.