The Cambridge Companion to J. M. Synge（ISBN=9780521125161） 下载 网盘 txt 地址 rtf kindle docx pdf

John Millington Synge was a leading literary figure of the Irish

Revival who played a significant role in the founding of Dublin's

Abbey Theatre in 1904. This Companion offers a comprehensive

introduction to the whole range of Synge's work from well-known

plays like Riders to the Sea, The Well of the Saints and The

Playboy of the Western World, to his influential prose work The

Aran Islands. The essays provide detailed and insightful analyses

of individual texts, as well as perceptive reflections on his

engagements with the Irish language, processes of decolonisation,

gender, modernism and European culture. Critical accounts of

landmark productions in Ireland and America are also included. With

a guide to further reading and a chronology, this book will

introduce students of drama, postcolonial studies, and Irish

studies as well as theatregoers to one of the most influential and

controversial dramatists of the twentieth century.

List of contributors

Acknowledgements

List of abbreviations and short titles

Chronology

PART 1:   THE SYNGE TEXTS

Re-thinking Synge

P. J. MATHEWS

Fhe Shadow of the Glen and Riders to the Sea

OONA FRAWLEY

The Playboy of the Western World

SHAUN RICHARDS

The Well of the Saints and The Tinker's Wedding

MARY BURKE

The Aran Islands and the travel essays

ELAINE SISSON

Deirdre of the Sorrows

DECLAN KIBERD

PART II"  THEORIS1NG SYNGE

J.M. Synge: European encounters

BEN LEVITAS

……

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书籍介绍

John Millington Synge was a leading literary figure of the Irish Revival who played a significant role in the founding of Dublin's Abbey Theatre in 1904. This Companion offers a comprehensive introduction to the whole range of Synge's work from well-known plays like Riders to the Sea, The Well of the Saints and The Playboy of the Western World, to his influential prose work The Aran Islands. The essays provide detailed and insightful analyses of individual texts, as well as perceptive reflections on his engagements with the Irish language, processes of decolonisation, gender, modernism and European culture. Critical accounts of landmark productions in Ireland and America are also included. With a guide to further reading and a chronology, this book will introduce students of drama, postcolonial studies, and Irish studies as well as theatregoers to one of the most influential and controversial dramatists of the twentieth century.