伊娃：海瑟绘画作品Eva Hesse Drawing 下载 网盘 txt 地址 rtf kindle docx pdf

Eva Hesse (1936--1970) was a highly experimental artist who continually challenged the conventions of her time. For Hesse, drawing played a unique role, providing the nexus between her works in all media. Eva Hesse Drawing is the first book to explore her drawing process, following her work from drawing to painting and sculpture, and always back to drawing. The book features important, recently rediscovered “working drawings,” providing an intimate look at Hesse’s everyday practice and methodology.

An accomplished draftswoman, Hesse began to develop her wandering, tentative line while studying at Yale University in the late 1950s. Her early 1960s works on paper engaged with visual vocabularies from geometry to biomorphic abstraction. In 1965, Hesse combined her tactile sensibility for materials with her stringlike line to achieve a breakthrough: her astonishing reliefs, which began to bridge the space between two and three dimensions. Balancing the disembodiment of line with its intensified materialization, Hesse went on to develop one of the most innovative oeuvres of the twentieth century, anticipating the hybridization of media and crossing borderlines linking one impossible space to another.

Acknowledgements

“Child”Drawing

Drawing as binding/Bandage/Bondage or Eva Hesse Caught in the Triangle of Process/Content/Materiality

Hesse's Endgame: Facing the Diagram

Works on Paper/Works in the Papers

Gaze-and-Touching the Not Enough Mother

Eva Hesse's Turn: Rotations Around the Circle Drawings

Sculpture as Sample

The Life of Language: How Hesse Named Her Work

List of Works

Catherine de Zegher is Director of The Drawing Center, New York, and co-editor of 3 x Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz, and Agnes Martin (Yale).

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" What is so striking, and, for me, exciting about this book is that all these essays end up interconnecting in provocative ways. Each takes seriously Hesse's engagement with drawing as a crucial and distinct aspect of her work, with many of her works on paper often produced after, or even in place of, the sculptural object."